{"id":6666,"date":"2019-05-03T12:08:55","date_gmt":"2019-05-03T10:08:55","guid":{"rendered":"http:\/\/re-active.fr\/?p=6666"},"modified":"2019-05-03T12:08:57","modified_gmt":"2019-05-03T10:08:57","slug":"expo-photo-ce-que-murmurent-les-fantomes-de-sophie-zenon","status":"publish","type":"post","link":"https:\/\/re-active.fr\/re_active\/expo-photo-ce-que-murmurent-les-fantomes-de-sophie-zenon\/","title":{"rendered":"Expo photo \/ Ce que murmurent les fant\u00f4mes de Sophie Z\u00e9non"},"content":{"rendered":"\n

Subtile et \u00e9nigmatique, l\u2019\u0153uvre de Sophie Z\u00e9non orne les murs de l\u2019Imagerie de Lannion jusqu\u2019au 8 juin prochain \u00e0 l\u2019occasion une r\u00e9trospective in\u00e9dite. Ce que murmurent les fant\u00f4mes, d\u00e9nouement provisoire d\u2019une \u00e9pop\u00e9e \u00e9mancipatrice, regroupe les \u0153uvres ma\u00eetresses d\u2019une qu\u00eate longue de vingt ann\u00e9es d\u2019exploration et d\u2019introspection. 400 m2<\/sup> sont d\u00e9di\u00e9s \u00e0 des intimes r\u00e9cits de voyages. De premiers s\u00e9jours en Asie, aux r\u00e9alisations plus r\u00e9centes sur le pouvoir de la m\u00e9moire familiale, l\u2019exposition plonge le visiteur dans l\u2019univers polys\u00e9mique d\u2019une artiste complexe. <\/em><\/strong><\/p>\n\n\n\n

La dimension symbolique et historique des clich\u00e9s de Sophie Z\u00e9non t\u00e9moigne d\u2019un v\u00e9ritable travail de recherche empirique. Plasticienne et documentariste, elle \u00e9voque avec spiritualit\u00e9 les \u00e9tapes de son existence. Sa fascination pour le sacr\u00e9, le myst\u00e8re et le chamanisme donne \u00e0 sens \u00e0 ses clich\u00e9s. Les objets rencontr\u00e9s, les \u00e9motions per\u00e7ues et les lieux de passage sont fig\u00e9s dans le temps comme les embl\u00e8me de souvenirs ind\u00e9l\u00e9biles. <\/p>\n\n\n\n

L\u2019aigre-douceur de la m\u00e9moire<\/strong><\/h4>\n\n\n\n

La perte de ses parents am\u00e8ne progressivement l\u2019artiste \u00e0 constituer d\u2019intimes carnets visuel et sensoriel. Reconstruction photographique de l\u2019absence, l\u2019ensemble des clich\u00e9s semble combler le vide qu\u2019implique le manque et t\u00e9moigner d\u2019une qu\u00eate identitaire, d\u2019une existence en construction.<\/p>\n\n\n\n

\"\"
L\u2019Homme-Paysage reconstitue la m\u00e9moire d’un p\u00e8re, fils d\u2019immigr\u00e9s italiens, arriv\u00e9 dans les Vosges dans l\u2019entre-deux guerres. Quelques portraits pos\u00e9s sur l\u2019herbe s’accordent aux mouvements de l\u2019eau tandis que le relief du sol sculptent les corps. D\u00e9licate mise en sc\u00e8ne de l\u2019absence, l\u2019artiste dupe la nature et les vibration de l\u2019air pour redonner vie \u00e0 ce p\u00e8re. Plong\u00e9 au c\u0153ur d\u2019une nature triomphalement pr\u00e9sente, le spectateur se saisi des \u00e9l\u00e9ments photographi\u00e9s. Il se surprend \u00e0 savourer le froid, \u00e0 go\u00fbter l\u2019humidit\u00e9 de l\u2019air, \u00e0 l\u2019odeur des pins. La fusion des contrastes et les jeux de transparence provoquent l\u2019imaginaire tandis que les \u00e9vocations lumineuses et les mariages de mati\u00e8re, apprennent \u00e0 observer. V\u00e9ritable mosa\u00efque d\u2019illusions, ses clich\u00e9s fa\u00e7onnent notre perception visuelle. Ils questionnent notre rapport au temps, \u00e0 l\u2019existence, ils donnent \u00e0 r\u00eaver.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

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La s\u00e9rie Maria E. Giovanni compl\u00e8te ce cycle puisque l\u2019artiste raconte l\u2019exil et le d\u00e9racinement, la souffrance de n\u2019appartenir \u00e0 aucune terre. Sa grand-m\u00e8re Maria a quitt\u00e9 la Sicile pour rejoindre le nord-est de la France. Le portrait bleu azur transperc\u00e9 par les montagnes siciliennes bouleverse, tant la nostalgie semble se lib\u00e9rer de son regard tourn\u00e9 pourtant vers l\u2019ailleurs. Dans une robe noire, elle pose pour ce qui deviendra un clich\u00e9 souvenir. <\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"
La figure de cette femme revient dans Le miroir des rizi\u00e8res. Les paysages du pi\u00e9mont italien accompagnent la pr\u00e9sence de cette femme qui ne quitte presque jamais l\u2019image. Maria hante le parcours de Sophie. Telle une madone fantomatique, elle colonise l\u2019espace avec lequel elle semble communiquer, comme une lutte sensible retrouver la vie. Le portrait de Maria \u00e9volue aux c\u00f4t\u00e9s de l\u2019artiste qui met en sc\u00e8ne le souvenir familial pour reconstituer symboliquement une relation imag\u00e9e. Par cette complicit\u00e9 fantasm\u00e9e, libre d\u2019interpr\u00e9tation Sophie Z\u00e9non raconte une histoire m\u00eame temps qu\u2019elle la construit, elle est \u00e0 la fois actrice et spectatrice de sa propre existence.<\/figcaption><\/figure>\n\n\n\n
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Pour Vivre Ici \u00e9voque la m\u00e9moire de la premi\u00e8re guerre mondiale. Dans les for\u00eats vosgiennes d\u2019Hartmannswillerkopf, l\u2019artiste donne la parole \u00e0 une nature encore vive de souvenirs douloureux. Elle s\u2019interroge sur la mani\u00e8re d\u2019interpr\u00e9ter aujourd\u2019hui ces lieux o\u00f9 la barbarie de l\u2019homme lui est peut-\u00eatre trop souvent attribu\u00e9e. Comme le\u00e7on de vie, cette s\u00e9rie historique encourage la saisie d\u2019un espace o\u00f9 les corps s\u2019assemblent \u00e0 la terre pour faire ressurgir la m\u00e9moire. Le paysage devient un lieu sensible d\u2019exp\u00e9rience et de vie sans cesse questionn\u00e9 o\u00f9 la m\u00e9moire reste un devoir tandis que l\u2019oubli devient aussi un droit.<\/figcaption><\/figure>\n\n\n\n

Pour Vivre ici<\/em> et Enfance<\/em>, cl\u00f4turent un cycle m\u00e9moriel entrepris en 2010 avec la r\u00e9alisation d\u2019Arborescences<\/em>. <\/p>\n\n\n\n

Voyager pour rena\u00eetre<\/strong><\/h4>\n\n\n\n
\"\"
Ha\u00efkus Mongols – 1996 – 2004\ufeff<\/figcaption><\/figure>\n\n\n\n

Ha\u00efkus Mongols <\/em>est une invitation. Cette premi\u00e8re s\u00e9rie en noir et blanc reconstitue un p\u00e9riple de huit ann\u00e9es au c\u0153ur des terres mongoles. Empreints d\u2019une po\u00e9sie inqui\u00e9tante, ces images r\u00e9v\u00e8lent la sensibilit\u00e9 de l\u2019horizon. Chaque clich\u00e9 exalte la fascination de l\u2019artiste pour le sacr\u00e9 et les espaces d\u00e9sertiques si bien que l\u2019immensit\u00e9 semble \u00eatre subtilement li\u00e9es aux visages de ces hommes, alors saisis au plus pr\u00e8s de leur \u00e2me. Les ombres murmurent l\u2019amertume des choses et impr\u00e8gnent le spectateur d\u2019une une fragile m\u00e9lancolie. Sophie Z\u00e9non cerne l\u2019humilit\u00e9 de la lumi\u00e8re et rend \u00e0 cette nature pourtant acrimonieuse, toute sa gr\u00e2ce. <\/p>\n\n\n\n

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Suite Sib\u00e9rienne – 2000-2001<\/figcaption><\/figure>\n\n\n\n

Un carnet de voyage aux multiples tonalit\u00e9s gris-s\u00e9pia raconte la poursuite de son \u00e9pop\u00e9e le long du fleuve Amour en Sib\u00e9rie extr\u00eame-orientale. Parmi les p\u00eacheurs et les \u00e2mes solitaires, le long des \u00eeles d\u00e9nud\u00e9es et des terres bord\u00e9es de villages, Suite Sib\u00e9rienne<\/em> semble nouer un lien particulier avec l\u2019humanit\u00e9. Tant\u00f4t cach\u00e9s par l\u2019objet, tant\u00f4t recouvert de lumi\u00e8re, le mouvement des corps et la forme des visages ne s\u2019imposent pas \u00e0 l\u2019\u0153il d\u00e9pourvu de sensibilit\u00e9, il faut les deviner, les laisser se d\u00e9voiler seuls au regard de ceux qui sauront d\u00e9celer leur fragilit\u00e9. <\/p>\n\n\n\n

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Sicile, sous le volcan – 2008<\/figcaption><\/figure>\n\n\n\n

Sicile, sous le volcan<\/em> semble alors m\u00ealer qu\u00eate de spiritualit\u00e9, l\u2019envie de d\u00e9couvertes et la puissance de la m\u00e9moire. Les collines contrast\u00e9es de Madonie s\u2019\u00e9l\u00e8vent pour r\u00e9v\u00e9ler des visages anonymes ressuscit\u00e9s par les Puces de Palerme, les terres asc\u00e9tiques et sauvages accompagnent la duret\u00e9 des regards de ces personnages encore vacillant entre la vie et la mort. Discr\u00e8te et t\u00e9n\u00e9breuse, cette Sicile cultive la \u00ab d\u00e9r\u00e9liction \u00bb. <\/p>\n\n\n\n

L\u2019exposition Ce que murmurent les fant\u00f4mes<\/em> de Sophie Z\u00e9non est \u00e0 d\u00e9couvrir jusqu\u2019au 8 juin 2019 \u00e0 L\u2019Imagerie de Lannion :
http:\/\/galerie-imagerie.fr<\/a><\/p>\n\n\n\n

Photos : \u00a9 Sophie Z\u00e9non<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Subtile et \u00e9nigmatique, l\u2019\u0153uvre de Sophie Z\u00e9non orne les murs de l\u2019Imagerie de Lannion jusqu\u2019au 8 juin prochain \u00e0 l\u2019occasion une r\u00e9trospective in\u00e9dite. Ce que murmurent les fant\u00f4mes, d\u00e9nouement provisoire d\u2019une \u00e9pop\u00e9e \u00e9mancipatrice, regroupe les \u0153uvres ma\u00eetresses d\u2019une qu\u00eate longue de vingt ann\u00e9es d\u2019exploration et d\u2019introspection. 400 m2 sont d\u00e9di\u00e9s \u00e0 des intimes r\u00e9cits de […]<\/p>\n","protected":false},"author":6,"featured_media":6640,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[1049,121,705,1050],"class_list":["post-6666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-expo","tag-photo","tag-photographie","tag-sophie-zenon"],"acf":[],"yoast_head":"\nExpo photo \/ Ce que murmurent les fant\u00f4mes de Sophie Z\u00e9non – Re Active<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/re-active.fr\/re_active\/expo-photo-ce-que-murmurent-les-fantomes-de-sophie-zenon\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Expo photo \/ Ce que murmurent les fant\u00f4mes de Sophie Z\u00e9non – Re Active\" \/>\n<meta property=\"og:description\" content=\"Subtile et \u00e9nigmatique, l\u2019\u0153uvre de Sophie Z\u00e9non orne les murs de l\u2019Imagerie de Lannion jusqu\u2019au 8 juin prochain \u00e0 l\u2019occasion une r\u00e9trospective in\u00e9dite. 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