{"id":5917,"date":"2018-09-25T13:47:01","date_gmt":"2018-09-25T11:47:01","guid":{"rendered":"http:\/\/re-active.fr\/?p=5917"},"modified":"2018-09-25T16:40:03","modified_gmt":"2018-09-25T14:40:03","slug":"expo-textile-3-4-de-fils-ou-de-fibres-au-cac-meymac-travaux-dartistes-jusquau-14-octobre","status":"publish","type":"post","link":"https:\/\/re-active.fr\/re_active\/expo-textile-3-4-de-fils-ou-de-fibres-au-cac-meymac-travaux-dartistes-jusquau-14-octobre\/","title":{"rendered":"Expo textile 3\/4 – De fils ou de fibres au CAC Meymac, travaux d’artistes jusqu’au 14 octobre."},"content":{"rendered":"

Il y a, un peu perdu en Corr\u00e8ze, un centre d’art contemporain, au pouvoir d’attraction \u00ab\u00a0addictif\u00a0\u00bb : il s’agit du CAC de Meymac dont les expositions, parfois arides, sont toujours inattendues et incomparables. D\u00e8s la proximit\u00e9 de la r\u00e9gion atteinte, nos pas nous m\u00e8nent aussi souvent que possible \u00e0 l’Abbaye Saint-Andr\u00e9 qui h\u00e9berge le Centre. L’exposition estivale – De fils ou de fibres – pr\u00e9sente une s\u00e9lection \u00e9tonnante d\u2019\u0153uvres d’une cinquantaine d’artistes jouant les sautes fronti\u00e8re art\/arts appliqu\u00e9s et n’h\u00e9sitant pas \u00e0 mettre les mains dans des mat\u00e9riaux et techniques vernaculaires.<\/p>\n

Longtemps, le tricot, la broderie, le patchwork, et les autres techniques\u00a0de tissage \u00e9taient consid\u00e9r\u00e9es comme relevant de l’activit\u00e9 dite f\u00e9minine, peu valoris\u00e9e par l’art. Au d\u00e9but du XX\u00e8me si\u00e8cle, les artistes d’avant-garde employaient ses techniques \u00e0 c\u00f4t\u00e9 de leur production principale. D\u00e9sormais, inspirant les artistes masculins comme f\u00e9minins, ces derni\u00e8res revendiquent m\u00eame leur utilisation du fil dont la mati\u00e8re peut aller du naturel au plastique en passant par le fil de fer, travaill\u00e9e comme le fil \u00ab\u00a0classique\u00a0\u00bb. La vid\u00e9o Veglia de Romina de Novelis, inspir\u00e9e de P\u00e9n\u00e9lope, dans la derni\u00e8re salle de l’exposition aurait d’ailleurs m\u00e9rit\u00e9 d’avoir plut\u00f4t le r\u00f4le d’entr\u00e9e en mati\u00e8re.<\/p>\n

A travers un parcours guid\u00e9 par la forme, le couleur et la texture, les visiteurs d\u00e9couvrent au fil des salles les th\u00e9matique de la nature, des masques\/sculptures, des noeuds, de la musique, de la mort, des v\u00eatements\/textiles et du temps… sous des formes allant du tableau en trois dimensions aux installations impressionnantes, de la tapisserie aux voilages en passant par les d\u00e9sormais incontournables vid\u00e9os.<\/p>\n

Un mois apr\u00e8s la visite, le filtre de notre m\u00e9moire a retenu :<\/p>\n

Le pop art & craft de Suzanne Husky fait toujours mouche.\u00a0 Forest<\/em>, 2010, r\u00e9alis\u00e9e \u00e0 partir de chiffons, cette installation po\u00e9tique et f\u00e9\u00e9rique fait \u00e9cho \u00e0 la destruction et au gaspillage des fils et des fibres op\u00e9r\u00e9s par notre civilisation.<\/p>\n

\"\"

\u00a9Meymac<\/p><\/div>\n

 <\/p>\n

Kun Kang, Monsieur. K<\/em>, et Sans titre (t\u00eate)<\/em>, 2017 : des autoportraits d’une pr\u00e9cision admirable m\u00ealant r\u00e9sine, fils, laines, verres, perles et aiguilles. Un moyen pour l’artiste d’exorciser ses maux en affligeant des blessures \/ piqures \u00e0 sa propre repr\u00e9sentation.<\/p>\n

\"\"

\u00a9Meymac<\/p><\/div>\n

 <\/p>\n

Fritz Panzer, Klavier int\u00e9gral Nam June Paik<\/em> et Prenning Sessel\u00a0<\/em>(photo) : ces sculptures aux formes famili\u00e8res en fil de fer d\u00e9passent de leur \u00ab\u00a0cadre\u00a0\u00bb et vibrent sous l’effet des mouvements de l’air ou des pas du visiteur. Comme autant d’objets abandonn\u00e9s livr\u00e9s aux forces po\u00e9tiques de la nature et du temps.<\/p>\n

\"\"

\u00a9Meymac<\/p><\/div>\n

 <\/p>\n

C\u00e9cile Dachary, Les mains li\u00e9es <\/em>(et non coup\u00e9es), 2006 : cet ensemble de 35 paires de mains (de marionnettes ?)\u00a0 cousues r\u00e9alis\u00e9es \u00e0 partir de tissus us\u00e9s et teints montre l’int\u00e9r\u00eat de l’artiste pour l’assemblage des textures. Corps\/textile en particulier.<\/p>\n

\"\"

C\u00e9cile Dachary, \u00ab Les mains li\u00e9es \u00bb, 2006, Hauteur 65 cm, ensemble de 35 paires de mains cousues. \u00a9Courtesy de l\u2019artiste<\/p><\/div>\n

 <\/p>\n

Pascal Monteil, Llanto por la Monja Gitana<\/em>, 2016 : dans cette extraordinaire toile de lin brod\u00e9e de laine, l’artiste m\u00e9lange les cultures de l’orient et de l’occident pour raconter la mort d’une gitane comme une tapisserie de Bayeux expressionniste.<\/p>\n

\"\"

\u00a9Meymac<\/p><\/div>\n

 <\/p>\n

Herv\u00e9 Bohnert, Et soudain<\/em>, 2010-2012 : inspir\u00e9e par la grande faucheuse et les p\u00eacheurs aux corps d\u00e9charn\u00e9s , cette installation qui renvoie aux entassements obsessionnels des ossuaires donne au textile le r\u00f4le de r\u00e9v\u00e9lateur : la toile \u00e0 matelas \u00e9voque le lit de mort et la dentelle donne aux cr\u00e2nes un statut de reliques de la Renaissance.<\/p>\n

\"\"

\u00a9Meymac<\/p><\/div>\n

Hannah de Corte, 38\u00b0<\/em>, 2017 : une couverture teint\u00e9e \u00e0 la b\u00e9tadine, un antiseptique au d\u00e9part, montre l’usage inattendu d’un produit m\u00e9dicale dans la teinture d’une couverture en conservant les traces de l’interaction avec le corps. Comme un suaire imprim\u00e9 de la cause et de la gu\u00e9rison d’une blessure.<\/p>\n

\"\"

\u00a9Meymac<\/p><\/div>\n

Simon Callery, Yellow Flat Painting<\/em>, 2018 (photo) ; Step Yellow and Orange Wallspine<\/em>, 2018 ; Foot-Neck Wallspine<\/em>, 2012-2013 (photo) : de la peinture plane faite avec du volume, l’artiste nomme ses \u0153uvres ironiquement des \u00ab\u00a0flat paintings\u00a0\u00bb, des peintures plates. Des tableaux monochromes, ex\u00e9cut\u00e9 avec de la toile \u00e9paisse pli\u00e9e qui interroge sur leur \u00e9tats, est-ce une toile rang\u00e9e, abandonn\u00e9e qui attend un nouvel usage ou l’usage n’est-il pas d’\u00eatre une \u0153uvre \u00e0 contempler ?<\/p>\n

\"\"

\u00a9Meymac<\/p><\/div>\n

Quentin Vaulot et Goliath Dy\u00e8vre, Nouvelles verdures d’Aubusson<\/em>, 2013 : Sont m\u00eal\u00e9es ici deux techniques traditionnelles du Limousin. La tapisserie de la Manufacture d’Aubusson<\/a> au motif classique de verdure s’intensifie au contacts de formes en c\u00e9ramique comme autant d’outils fertilisants.<\/p>\n

\"\"

\u00a9Meymac<\/p><\/div>\n

A l’Abbaye Saint-Andr\u00e9, l’exposition regorge d’ artistes du monde entier, offrant un panel riche d’interpr\u00e9tations et d’applications possibles du textile dans l’art. A Meymac, le fil et la fibre n’ont pas fini de tisser leur histoire artistique !<\/p>\n","protected":false},"excerpt":{"rendered":"

Il y a, un peu perdu en Corr\u00e8ze, un centre d’art contemporain, au pouvoir d’attraction \u00ab\u00a0addictif\u00a0\u00bb : il s’agit du CAC de Meymac dont les expositions, parfois arides, sont toujours inattendues et incomparables. D\u00e8s la proximit\u00e9 de la r\u00e9gion atteinte, nos pas nous m\u00e8nent aussi souvent que possible \u00e0 l’Abbaye Saint-Andr\u00e9 qui h\u00e9berge le Centre. […]<\/p>\n","protected":false},"author":6,"featured_media":6034,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[959,960,955,958,957,956,601,502],"class_list":["post-5917","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-fibre","tag-fils","tag-meymac","tag-objets","tag-scluptures","tag-tableaux","tag-tapisserie","tag-textile"],"acf":[],"yoast_head":"\nExpo textile 3\/4 - De fils ou de fibres au CAC Meymac, travaux d'artistes jusqu'au 14 octobre. – Re Active<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/re-active.fr\/re_active\/expo-textile-3-4-de-fils-ou-de-fibres-au-cac-meymac-travaux-dartistes-jusquau-14-octobre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Expo textile 3\/4 - De fils ou de fibres au CAC Meymac, travaux d'artistes jusqu'au 14 octobre. – Re Active\" \/>\n<meta property=\"og:description\" content=\"Il y a, un peu perdu en Corr\u00e8ze, un centre d’art contemporain, au pouvoir d’attraction \u00ab\u00a0addictif\u00a0\u00bb : il s’agit du CAC de Meymac dont les expositions, parfois arides, sont toujours inattendues et incomparables. 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