{"id":2049,"date":"2015-03-27T16:49:34","date_gmt":"2015-03-27T15:49:34","guid":{"rendered":"http:\/\/re-active.fr\/blog\/?p=2049"},"modified":"2017-04-15T21:04:52","modified_gmt":"2017-04-15T19:04:52","slug":"nul-hasard-a-la-biennale-de-saint-etienne","status":"publish","type":"post","link":"https:\/\/re-active.fr\/re_active\/nul-hasard-a-la-biennale-de-saint-etienne\/","title":{"rendered":"Nul hasard \u00e0 la Biennale de Saint-Etienne"},"content":{"rendered":"

Passer 2 jours \u00e0 la\u00a0Biennale Internationale du Design de Saint-Etienne<\/a><\/strong>\u00a0est toujours un plaisir et un challenge tant il y a \u00e0 voir. Ce mill\u00e9sime 2015, plac\u00e9 sous Les sens du Beau<\/strong> n’a pas faillit \u00e0 cet \u00e9tat de fait tant il soul\u00e8ve de questions sur la place\u00a0et la fonction du design dans notre soci\u00e9t\u00e9\u00a0: doit-il oeuvrer au beau ou oeuvrer \u00e0 l’utile? A-t-il de l’humour ? Est-il science? Est-il mus\u00e9al ? Est-il immat\u00e9riel\u00a0? Est-il que communication ? A-t-il r\u00e9ellement besoin d’un designer ? Finalement, ne serait-ce pas qu’un concept ? … Autant\u00a0de r\u00e9flexions pour les 2 ans \u00e0 venir avant la prochaine.<\/p>\n

Entre jolis retours aux origines\u00a0de la Biennale, esth\u00e9tique fun et pop imparrable, super essence du beau, d\u00e9licates mat\u00e9rialisations de l’invisible en passant par un complot fran\u00e7ais anti-design scand\u00e9\u00a0par un commissaire ayant visiblement rat\u00e9 un palier de d\u00e9compression, la Biennale de Saint-Etienne r\u00e9serve, cependant, une vraie r\u00e9v\u00e9lation pure et simple :\u00a0Oscar Lhermitte<\/strong>\u00a0et son exposition\u00a0No Randomness<\/strong><\/a>\u00a0aux rivages beaucoup plus calmes et clairs. Une parenth\u00e8se essentielle qui r\u00e9v\u00e8le la beaut\u00e9 issue\u00a0de la coh\u00e9rence\u00a0des objets du quotidien. Un recentrage vers le coeur.<\/p>\n

Litt\u00e9ralement \u00ab\u00a0nul hasard\u00a0\u00bb, No Randomness, nous subjugue par\u00a0l’intelligence de la\u00a0conception d’objet d’un extr\u00eame banalit\u00e9 dont la beaut\u00e9 nous a \u00e9chapp\u00e9. Pourquoi une plaque d’\u00e9gout a une forme circulaire? Pourquoi une feuille A4 mesure 21 X 29,7 cm, ou encore pourquoi un bouchon couronne a 21 dents ? Sans \u00e9clipser l’aspect esth\u00e9tique, cette exposition didactique<\/strong> est en parfait accord avec le th\u00e8me de la Biennale.<\/p>\n

\"vhN64sJhXpj3ExmXsdXjEzZyvLDP8nyYeZT8k6k3l08\"<\/a>Espace d’exposition No Randomnes, la coh\u00e9rence des formes.<\/em><\/p>\n

Dans cette exposition, Oscar Lhermitte revient \u00e0 l’origine du design<\/strong> en rendant hommage \u00e0 tous ces objets tellement visibles qu’ils en deviennent invisibles mais non moins efficaces. Il s’agit ici de mettre \u00e0 nu un panneau de signalisation, un oeuf en barre, l’Euro, les p\u00e2tes italiennes, la veste de p\u00eacheur des Cornouailles ou encore le syst\u00e8me m\u00e9trique. Le beau r\u00e9side ainsi dans le d\u00e9tail d’une \u00a0esth\u00e9tique qui d\u00e9coule elle-m\u00eame de l’aspect pratique propre \u00e0 chacun. La beaut\u00e9 et la fonctionnalit\u00e9 se r\u00e9pondent dans un dialogue constant. Dans la s\u00e9rie d’exemples expos\u00e9s, la forme est \u00e9cart\u00e9e de toute contingence puisqu’elle rev\u00eat un r\u00f4le fondamental au bon fonctionnement d’un objet. Une courbe, un relief, un motif, une couleur peuvent avoir une fonction pratique si bien que l’objet se fond naturellement dans son environnement o\u00f9 il prend pleinement son sens.<\/p>\n

Un exemple? Pourquoi\u00a0les bouchons couronne d’une bouteille, plus commun\u00e9ment appel\u00e9 capsules poss\u00e8dent-ils 21 dents ? Nul hasard mais un\u00a0nombre id\u00e9al. Auparavant compos\u00e9es de 24 dents, les capsules qui d\u00e9filaient sur les tapis m\u00e9caniques pour fermer automatiquement les bouteilles, se coin\u00e7aient les unes dans les autres, car en nombre pair les dents, permettaient l’empilement des bouchons couronnes qui n’entraient pas correctement dans l’engrenage. Le chiffre 21 cr\u00e9e soudain une beaut\u00e9 math\u00e9matique du fait de la fluidit\u00e9 du processus m\u00e9canique, durant l’acheminement des capsules sur les tapis.<\/p>\n

\"NoRandomness-Capsule\"<\/a>

Bouchons couronne sur tapis m\u00e9canique – cr\u00e9dits : Oscar Lhermitte<\/p><\/div>\n

On s’est souvent demand\u00e9 pourquoi le verre \u00e0 bi\u00e8re nonic poss\u00e8de un relief en coude au lieu d’\u00eatre droit ou encore pourquoi le panneau STOP est le seul \u00e0 \u00eatre octogonal. Ces formes r\u00e9pondent l\u00e0 encore \u00e0 des consid\u00e9rations pratiques qu’il sera fort int\u00e9ressant de d\u00e9couvrir lors de la Biennale jusqu’au 12 avril<\/strong>.<\/p>\n

Si l’on dit souvent que le diable se cache dans les d\u00e9tails, Oscar Lhermitte<\/a> prouve surtout que le d\u00e9tail, m\u00eame infime, sert le design en cr\u00e9ant une harmonie esth\u00e9tique et pratique.\u00a0Form\u00e9 \u00e0 la Central Saint-Martins School of Arts et au Royal College of ArtOscar Lhermitte est un designer multi-disciplinaire install\u00e9 \u00e0 Londres et est le fondateur du collectif Sidekick Creatives LTD qui aide artistes, designer et cr\u00e9atifs \u00e0 lancer leur projets gr\u00e2ce au financement participatif.<\/p>\n

A la Cit\u00e9 du Design d’ici le 5 avril<\/strong>, venez d\u00e9couvrir sur le Labo l’univers hautement innovant des dispositifs m\u00e9dicaux textiles sign\u00e9s Thuasne,<\/strong> leader europ\u00e9en :\u00a0exp\u00e9riences sensorielles garanties et d\u00e9monstrations design autour des 3 p\u00f4les majeurs consacr\u00e9s \u00e0 ces solutions th\u00e9rapeutiques dont nous avons tous besoin : ceintures lombaire, genouill\u00e8res, chevilli\u00e8res, bas contention…. sans oublier la gamme Thuasne Sport qui accompagne les athl\u00e8tes dans leur performances.<\/p>\n","protected":false},"excerpt":{"rendered":"

Passer 2 jours \u00e0 la\u00a0Biennale Internationale du Design de Saint-Etienne\u00a0est toujours un plaisir et un challenge tant il y a \u00e0 voir. Ce mill\u00e9sime 2015, plac\u00e9 sous Les sens du Beau n’a pas faillit \u00e0 cet \u00e9tat de fait tant il soul\u00e8ve de questions sur la place\u00a0et la fonction du design dans notre soci\u00e9t\u00e9\u00a0: doit-il […]<\/p>\n","protected":false},"author":6,"featured_media":2076,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2,728,3,1],"tags":[556,557,558,559,560,561],"class_list":["post-2049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-coupsdecoeur","category-expositions","category-non-classe","tag-biennale-du-design","tag-design-intelligent","tag-no-randomnes","tag-objets-caches","tag-oscar-lhermitte","tag-saint-etienne"],"acf":[],"yoast_head":"\nNul hasard \u00e0 la Biennale de Saint-Etienne – Re Active<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/re-active.fr\/re_active\/nul-hasard-a-la-biennale-de-saint-etienne\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nul hasard \u00e0 la Biennale de Saint-Etienne – Re Active\" \/>\n<meta property=\"og:description\" content=\"Passer 2 jours \u00e0 la\u00a0Biennale Internationale du Design de Saint-Etienne\u00a0est toujours un plaisir et un challenge tant il y a \u00e0 voir. 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